Table of Content
- Used Sony Radio Receiver 5.2 Channel Audio Video STR-DH550 Home Theater System
- Sony STR-DH550 5.2 Channel 4K HDMI Home Theater Stereo Receiver
- Perlisten Audio S7t 5.2 Channel Home Theater System Review
- Klipsch Home Theater Systems with 5.2 Channel Speaker System Speaker Systems Without Receiver
- Customer Service
- Perlisten Audio R5m-based 5.2 Channel Home Theater System Review
- Perlisten Audio 5.2 Channel Home Theater System
Carlo’s first audio equipment that he purchased with his hard earned part-time job money was a Luxman R-117 receiver and a pair of Image Concept 200 speakers which, in hindsight, he wishes he still owned. Career-wise, Carlo eventually graduated from Sheridan College with a degree in Classical Animation and was subsequently employed by Walt Disney Consumer Products for 10 years as a Character Artist and Art Director. Having become disenchanted with Los Angeles, he then decided strike out on his own. Carlo started his own company and has been freelancing artwork, from his home studio, for primarily the toy and publishing industries since 2001. A wide variety of music is often heard coming from Carlo’s studio while working on his latest project.
My studio listening space is not the most forgiving environment for speakers to begin with, especially with its shorter ceiling height. Still, the Perlisten S7t gave me a real sense of hearing all the nuances in whatever music I was listening to, in equal measure. From the most subtle inflections of the human singing voice to the sounds of sliding fingers over guitar strings to the details of breathing when playing the flute. These details remained consistent in sound and level even when I was listening well off-axis or if I moved my seat unusually close to the speakers.
Used Sony Radio Receiver 5.2 Channel Audio Video STR-DH550 Home Theater System
So, for a loudspeaker to meet that specification it must maintain a very high fidelity of sound at a continuous 85 dB level at the listening position with 105 dB peak levels. Subwoofers need to do 95 dB continuous with 115 dB peaks to meet the spec. Both need to accomplish this task while maintaining low levels of distortion, high dynamic range, and proper on and off-axis performance, among other things. As of this writing, the Perlisten speakers and subs in this review are the only THX Certified Dominus loudspeakers and subwoofers out there in the consumer market. The drivers themselves were completely designed by Perlisten to have a high sensitivity, low mass, low inductance, low distortion with a very long linear motion. Perlisten states that these drivers have a 60 mm peak-to-peak length of linear travel.
Moving to the in-room vertical radiation pattern for positive angles for the Perlisten R5m, we see the plots for 0 to +20 degrees, scaled from 300 Hz on up. So, what separates these Perlisten audio speakers from other designs that compete on the same level? The D212s subwoofer is a whole other animal whose description will be broken out separately. Having done this job for going on 8 years now, I’ve gotten to learn about and experience a lot of diverse and interesting audio products here at Secrets. My experience has been thus far, I find a lot of very good products, some that are not so good , and just a few exceptional items or even true surprises. We often see these sorts of “elevated” performance claims from brand new companies that come to market plying their wares and looking for press.
Sony STR-DH550 5.2 Channel 4K HDMI Home Theater Stereo Receiver
The speakers still look cooler with them off but it’s nice to have them available should you have young ones around with wayward hands. 4-way bass-reflex/acoustic suspension floor-standing loudspeaker with down-firing ports. The subwoofers use dual 12-inch drivers in an uncommon push/pull configuration with a massive amplifier to deliver incredible impact with low distortion. While Perlisten Audio may be a new name to most audio enthusiasts, they have come to market swinging with a unique and enviable array of loudspeakers and subwoofers.
Plugging the ports would be something you could do when integrating these speakers with subwoofers to help achieve a better blend. Being as heavy as they are, I recommend using two people to successfully, and safely, achieve this task. Unlike speakers with spaced drivers and standard crossovers, we do not see much change in the DIs at the crossover.
Perlisten Audio S7t 5.2 Channel Home Theater System Review
Simply put, we’re out to build a system that delivers big on sound, while remaining acceptable in terms of WAF. Buy brand new & 100% genuine Elac products from India's official online dealer at the special offer price with manufacturers warranty. Also interesting, no alternatives were giving on speaker selection, as has been giving in other lists. But I think 5.2 is more accurate since it leaves no room for guessing how many subwoofers you actually use. Please share your experiences but try to avoid the temptation on how you would build a better system for the same price using different or used gear. Again, it is unclear what causes this dip in our in-room data which has room reflection coming back to the microphone.
This is one of the smoothest natural room responses that I have seen, through this bandwidth, from any speaker that I have had in my room. Below 350 Hz, we see more of the room exercising its will with a bit of a trough in the response to 200 Hz. Bass response is otherwise strong to 70 Hz below which we have a steep drop at 45 Hz, then shooting up to a lower peak at 29 Hz and rolling off after that. A typical design with spaced drives would use 5.25-inch drivers crossed over and octave higher.
Product Specifications of the ELAC Cinema 5.2 Home Theater Speaker System
The preliminary measurements are more than promising but they need independent confirmation. Some of the best, most dynamic, yet cohesive sound that I have experienced in my home theater.
Unusually the R5m features a down-firing 3.5-inch port that is partially obscured by the base plate of the custom stand, a pair of which were sent with the speakers. The bottom portion of the R5m has an open cavity with a mesh vent on the bottom of either side and back of the speaker allowing the output of the port to freely expel out of the base of the speaker from multiple sides. The aforementioned stands are as substantial in construction as the speakers. Heavy gauge metal with a thick metal baseplate and adjustable feet, the stands bolt into the base of the speaker with supplied hardware. Consider the S7c center channel speaker to be a sealed box version of the S7t tower, just turned on its side with the DPC Array rotated by 90-degrees and no plinth.
It was obvious that we here at Secrets, along with several other audio journos out there on the internet, were both taken by surprise and impressed with Perlisten’s arrival on the scene last year. Taken by surprise because we’ve all heard lofty marketing claims by new companies introducing products before. Honestly, the “grain of salt” you take with such claims these days, has somewhat morphed to the size of an average boulder. We were impressed because Perlisten wowed us in our review of their S7t-based home theater system and by and large, legitimately made good on their claims.
Often, it’s a simple affair to spot the poseurs with high-end aspirations that end up being little more than flowery copy on a press release. Occasionally though, a genuinely unique and interesting take on, say a speaker or an amplifier or some other audio technology will come along that merits further investigation. Not all of them have had alternate speaker selections; the 1K system done by Tom only specified the NHT SuperZeros, though it tossed in an alternate sub possibility. For this system, as implied earlier, I think it's fair to say both Gene and I felt the EMPs fit like a glove, and the price definitely allowed nice touches like dual subs and an AVR to make full use of them.
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